View of showroom / studio from behind bar

Description- View of showroom / studio from behind bar showing the work station and drinks bar (330 litres) and metal beams

By lshop20

In Interior Design

Holiday Greeting

Description- FREE Review FREE Subscription FREE Download PDF 10x Magazines Issue May 2020 Prints issue Available to Purchase https://www.magcloud.com/browse/issue/1777589 Preview Published: 11,089,823 Views Readers https://www.yumpu.com/user/warrent.satt

By satt-llc-Creative-Free-Lance-Studio

In Multi Media Creative Service

Profession - Account Executive

Industry - Advertising and Marketing

Holiday Greeting

Description- To all continent friends with the season of festivities and wonder magical are waiting for you to unwrap joy and gaiety. Happy Holidays and Merry Christmas! With warmest thoughts and best wishes for a wonderful Holiday and a Happy New Year 2020.

By satt-llc-Creative-Free-Lance-Studio

In Multi Media Creative Service

Profession - Account Executive

Industry - Advertising and Marketing

Daniela

Description- Daniela

By Daniela2015

In Daniela

Profession - Model - Female

Industry - Advertising and Marketing

Other - models

Showroom Technical Details - Fiche Technique

Description- HTTP://paris-showrooms.com 100 rue de la Folie Méricourt, 75011 Paris booking@paris-showrooms.com 166m2 – 3m20 height 45 LED spotlights – 30w - 300~3000lm variable - 2700~5000K variable Air Conditioning – Climatisation Sound system Video projection 2 WC Vestiare Fumoir Kitchen - Cuisine Inox Work table - Armoire de travail - 200x70cm Oven - Four - 4 x GN 1/1 Food warmer - Étuve - 12 GN 1/1 (600x400) Fridge - Desserte réfrigérée -368 litres - 12 bacs GN 1/1 Freezer - Congélateur - 125 litres -20 °C à -15 °C Dish Washer - Lave-vaisselle - 1 à 3 minutes Chariot échelle - inox GN 1/1 x 20 Bar – 4m50 Drinks Fridge – Réfrigérateur - 320 litres Glasses washer – Lave verres Services (optional) Catering – Traiteur Casting Production

By paris-showrooms

In Studio Folie - escalier B 2 etage

Profession - Architect

Industry - Advertising and Marketing

Other - yoga conference

View of showroom / studio from behind bar

Description- View of showroom / studio from behind bar showing the work station and drinks bar (330 litres) and metal beams

By paris-showrooms

In Studio Folie - escalier B 2 etage

Profession - Architect

Industry - Advertising and Marketing

Other - daylight corporate

View of all bar (4m50) and work station

Description- View of all bar (4m50) and work station towards window with designer lamps

By paris-showrooms

In Studio Folie - escalier B 2 etage

Profession - Architect

Industry - Advertising and Marketing

Other - events popup

View of all professional kitchen

Description- View of all professional kitchen - fridge 12xGN1/1, freezer 4 GN1/1, oven 4xGN1/1 and proofer 12xGN1/1

By paris-showrooms

In Studio Folie - escalier B 2 etage

Profession - Architect

Industry - Advertising and Marketing

Other - conference events

View of all professional kitchen

Description- View of all professional kitchen - fridge 12xGN1/1, freezer 4 GN1/1, oven 4xGN1/1, proofer 12xGN1/1, dish-washer 60-120-180 second cycles and 2 meter work table

By paris-showrooms

In Studio Folie - escalier B 2 etage

Profession - Architect

Industry - Advertising and Marketing

Other - Showroom conference

View of bar (4m50) and kitchen

Description- View of showroom / studio with bar (4m50) and bag hooks

By paris-showrooms

In Studio Folie - escalier B 2 etage

View of showroom / studio panorama

Description- View of showroom / studio west side, panoramic view towards entrance

By paris-showrooms

In Studio Folie - escalier B 2 etage

View of showroom / studio bar and kitchen

Description- View of showroom / studio with bar (4m50) and professional kitchen

By paris-showrooms

In Studio Folie - escalier B 2 etage

View of showroom - studio west side

Description- View of showroom - studio west side with blinds and bar

By paris-showrooms

In Studio Folie - escalier B 2 etage

Massimo-Dallaglio

Description- Screaming in the desert

By Massimo-Dallaglio

In ADVERTISING

Andreas-Caraisco

By Andreas-Caraisco

In Nature morte

Profession - Photographer

Industry - Advertising and Marketing

STUDIO PP & Gildas Paré

Description- Studio & Photographe & Styliste

By gildaspare

In Book1

Profession - Fine Artist

Industry - Architecture

Other - Books

Erick-Seban-meyer

Description- Photographe de mode à Paris et Nice

By Erick-Seban-meyer

In book

Profession - Photographer

Industry - Advertising and Marketing

Other - Advertising Numeric

Amit-Bhurke Photography

By Photosphere-Amit-Bhurke

In Table Tops

Profession - Photographer

Industry - Commercial Printing

Die verrückte Möbelwelt des Designer Marcel Wanders | WDR

Description- Marcel Wanders est diplômé de l'école d'art de Arnhem en 1988. De 1990 à 1992, il travaille à Landmark Design & Consultancy, l'un des studios de design les plus importants des Pays-Bas. En 1992, Wanders est l'un des quatre fondateurs de WAAC's Design & Consultancies, qui devient rapidement l'un des studios de design les plus connus des Pays-Bas. Il travaille comme designer indépendant et commence à être reconnu avec la création de la chaise Knotted Chair produite par le collectif néerlandais Droog Design en 1996. En 2000, Wanders crée la société Moooi qui est reconnu pour ses créations drôles et originales. Son œuvre[modifier | modifier le code] Chaise Knotted Chair' Les créations de Marcel Wanders font partie des collections de plusieurs musées comme le MoMA1 ou du SFMOMA2

By iSpy

In Famous Interior designers

Burlington Gate Penthouse

Description- fe[edit] David Collins was born in Dublin, Ireland on 1 March 1955.[1] He studied architecture at the Bolton Street School of Architecture in Dublin.[1][2] Career[edit] He established the David Collins Studio, an interior design firm based in London, in 1985.[2] One of his first interior designs was chef Pierre Koffmann's La Tante Claire in Chelsea.[1] He then designed chef Marco Pierre White's Harvey's in 1988.[1] Later, he designed The Gilbert Scott, chef Marcus Wareing's restaurant at the St Pancras Renaissance Hotel.[1] Another Wareing restaurant that he designed was the Blue Bar in Belgravia.[1] He went on to design The Wolseley, the Delaunay Hotel, J Sheekey, Brasserie Zédel, Colbert, Gordon Ramsay at Royal Hospital Road, and Nobu Berkeley St.[1][2] He also designed retail interiors for Jimmy Choo, Alexander McQueen and Harrods.[2] Additionally, he designed The Charles, an apartment building on the Upper East Side in New York City.[3] He was a close friend of Madonna: he designed her London and New York apartments and she used a poem that he wrote as the basis of her 1998 song "Drowned World/Substitute for Love", for which he received a co-writing credit.[4][5] Influence[edit] David Collins’s design and aesthetic has had a huge impact. Simon Mills of Wallpaper* magazine said that "It is no exaggeration to say that the restaurant and hotel revolution in London of the last two decades would not have been the same without him

By iSpy

In Famous Interior designers

Louis Vuitton Place Vendôme - The Genius of Peter Marino

Description- Son grand-père est un boucher originaire du sud de l'Italie. Son père, catholique et autoritaire, est ingénieur et sa mère standardiste. Il a plusieurs sœurs. Atteint d'une maladie osseuse, il ne peut pas marcher avant l'âge de sept ans. Ayant deux ans de retard, il termine pourtant le lycée avec deux ans d'avance. Il grandit dans le Queens et commence à dessiner à l'école. Chaque samedi, il se rend à Manhattan afin de suivre des cours d'art public. En 1966, le maire de New York John Lindsay lui remet la médaille d'or d'un concours de jeunes artistes. Sa sœur aînée lui conseille de suivre des études d'architecture2. Boutique Armani, Madison Avenue à (New York, États-Unis) Il est diplômé en architecture l'université Cornell en 19752 (école d’architecture Cornell University College of Architecture, Art, and Planning ou AAP3). Carrière[modifier | modifier le code] Il se désole du manque de créativité des architectes américains des années 1950-1960 et commence à travailler pour des grands cabinets new-yorkais2. Il débute sa carrière d’architecte chez Skidmore, Owing & Merrill, George Nelson et I.M. Pei4. Entre 1975 et 1978, il travaille pour Andy Warhol (réalisant sa troisième et dernière Factory à Union Square et sa townhouse de six étages dans l'Upper East Side)5,4,3, Pierre Bergé et Yves Saint Laurent (s'occupant de leur appartement new-yorkais) et l'hôtel The Pierre2. Il dessine des boutiques chics avant d'être contacté en 1984 par la famille Pressman, propriétaire du grand magasin Barneys (New York) afin de dessiner leur boutique pour femmes6. Il s'agit de son premier projet dans le monde de la distribution et c'est un succès. Cela lui permet ensuite de réaliser 17 autres centres commerciaux Barneys aux États-Unis et au Japon entre 1986 et 19937,8. Il est par la suite engagé par Calvin Klein, Donna Karan, Giorgio Armani, Marella Caracciolo di Castagneto, Valentino, Carla Fendi et le grand magasin de Tokyo Isetan, apprenant le japonais pour l'occasion. Il réalise sept maisons pour les Wertheimer, dont la restauration du manoir de la Pipardière (France)2. En 1994, Bernard Arnault lui confie le chantier de la boutique Dior avenue Montaigne (Paris). Il la rénove ensuite plusieurs fois2. Boutique Louis Vuitton à Rodeo Drive (Los Angeles, États-Unis). Boutique Chanel à Ginza (Tokyo, Japon). Boontheshop à Séoul. En 2004, The New York Times honore Peter Marino, saluant sa capacité à faire de l'architecture un élément important dans l'identification du consommateur à une marque. Le journal fait ici référence à la boutique phare de Giorgio Armani qu’il a conçue en 1996 sur Madison Avenue, à New-York, celle-ci rendant compte du caractère minimaliste de la marque. L’article citait également la tour Chanel créée en 2004 dans le district de Ginza au Japon9. Le bâtiment reprend la signature Coco Chanel, le tweed noir et blanc, la transformant en trois dimensions. La tour de 56 mètres de haut arbore un mur-rideau de verre encapsulant un bloc d’aluminium en motif tweed. C’est un des premiers bâtiments comprenant une façade de verre interactive, avec 700 000 diodes électroluminescentes intégrées et un système de 1 120 m2 de stores en toile. La façade de verre est également dotée d’un dispositif électronique permettant aux employés de voir à travers la glace le jour durant tout en assurant un fond noir pour l’affichage numérique de nuit10. En 2007, il travaille pour la première fois sur un gratte-ciel de copropriétés de luxe, qui se situe au 170 East End Avenue à New-York. Le spacieux hall d’entrée, fait de marbre, donne sur un jardin avec cascade11,12. En octobre 2014, il conçoit à Séoul (Corée du Sud), dans le quartier de Cheongdam-dong, la boutique phare de BoonTheShop. Cette marque est détenue par Shinsegae, enseigne sud-coréenne de grands magasins de luxe13. Ce projet de 5 100 m2 comprend deux bâtiments anguleux recouverts de marbre blanc, rejoints par des ponts de verre. Pour Peter Marino, ce fut la première boutique multimarque depuis ses travaux pour Barneys14,15. En janvier 2015, il achève la boutique phare de Louis Vuitton sur Rodeo Drive, à Beverly Hills (Californie). Le design du bâtiment repose sur une façade à trois niveaux : des persiennes en acier inoxydable recouvrant du verre avec des carrés de toile blanche par-dessous. Cette association crée, d'après le journaliste de mode du L.A. Times Adam Tschorn, repose sur une ambiance autant d'intérieur que d'extérieur16. En 2016-2018, il rénove la boutique de Bulgari sur la Cinquième Avenue (New York)17. Il a également eu pour clients de grandes fortunes américaines et asiatiques

By iSpy

In Famous Interior designers

Jean-Louis Deniot New Collection

Description- Jean-Louis Deniot est diplômé de l'École Camondo. Il crée le cabinet Jean-Louis Deniot en 2000. Ses réalisations concernent majoritairement des propriétés privées en France1 et à l'étranger (New York, Chicago2, Los Angeles, Aspen, Moscou, Istanbul, New Delhi3, Capri, Monaco, Bora Bora) ainsi que des espaces commerciaux tels que l'Hôtel Récamier4 et l'Hôtel Thérèse à Paris5,6. Il a participé aux manifestations de AD Intérieurs (Architectural Digest) en 2011 et 2012, créant à ces occasions des décors autour d'un thème donné. Projets[modifier | modifier le code] À travers ses projets, Jean-Louis Deniot allie inspiration néo-classique, "esprit couture" français et confort américain7,8. Parmi ses maîtres, il cite Adolf Loos pour la rigueur, Renzo Mongiardino9 pour l'esprit collectionneur, Dorothy Draper pour le sens théâtral, Peter Marino pour le luxe façon couture, Jean-Michel Frank pour l'élégance et François Catroux pour l'obsession de la qualité10,11. Il s'illustre par un style subtil et intemporel, préférant les matériaux nobles et les couleurs douces à l’ostentation et l’excès12. Il exprime un savoir-faire et une attention aux détails exigeants 13,14. Il figure sur la liste AD100 (Architectural Digest) des 100 meilleurs architectes et designers15. Jean-Louis Deniot se consacre également à la conception de mobilier et luminaires avec des collections en collaboration avec Baker Furniture, Jean de Merry, George Smith16, Marc de Berny, Pouenat et Collection Pierre

By iSpy

In Famous Interior designers

ITG x Clinique Dramatically Different: Kelly Wearstler

Description- Wearstler has described her own design work, particularly her interior design for hotels, as "romantic" in style.[20] Elle Decor wrote around 2015 that "Wearstler encapsulates contemporary sophistication and wit, with a nod to the past and a wink at the future. The mix is altogether her own and is tailored to every job."[8] In 2008 she was deemed a "mega decorator" by Domino, with her hotel interiors described as reaching out to "the hip design public."[5] "Wearstler was an early proponent of Midcentury Modern, decking out the Avalon Hotel in Beverly Hills in that style long before Mad Men hit the small screen. Her subsequent designs for hotels and homes epitomized the Hollywood Regency look that influenced pre-recession interiors for years. By the time Regency peaked, Wearstler had moved on, embracing the organic modernism of California studio artisans, such as ceramist Stan Bitters, and creating 1970s-inspired rooms that glimmered with metal and glass." — David A. Keeps for the Los Angeles Times (October 10, 2012)[10] With a style periodically described as maximalism,[5] she has been one of several designers credited with bringing "the decorative back to interior design" and mixing modern and historical designs.[5] The New Yorker opined that since the late 1990s, "her style has evolved from mid-century modern to glammed-up Hollywood Regency to an ornate, layered look inspired in part by the late Hollywood set decorator and interior designer Tony Duquette. She uses intense colors, David Hicks-like graphic patterning, and contrasting textures (lacquer, parchment, shagreen)."[6] In 2009 Dana Goodyear of The New Yorker dubbed Wearstler "the presiding grande dame of West Coast interior design,"[6] explaining that "Wearstler represents the uninhibited side of Los Angeles, the part that celebrates how far the city is from strict East Coast notions of good taste."[6] Mayer Rus, the design and culture editor for Los Angeles Times Magazine, stated that "I think for many people around the world Kelly's work exemplifies this fantasy of beautiful sun-baked life, glamour in California. Kelly's genius is her ability to mix elements from all different eras, styles and periods. There's a certain bravery in what she does that flirts with going over-the-top, but always stands just back from the edge.

By iSpy

In Famous Interior designers

Introducing Martyn Lawrence Bullard for Frontgate

Description- After moving to Los Angeles, Bullard was cast in several roles, including a part as Eartha Kitt's boy toy in Ed Wood's final film, I Woke Up Early The Day I Died. One of the film's producers visited Bullard's home, and, impressed by its decor, invited Bullard to decorate his office. From there, Bullard was hired to decorate the office and home of Liz Heller, a Capitol Records executive, and was eventually asked to help create Heller's wedding to producer John Bard Manulis. As a guest at the event, he was seated next to Cheryl Tiegs, who became his first celebrity client. Together, Tiegs and Bullard transformed Tiegs' Bel Air home into a "Balinese-inspired pavilion," which was featured in publications worldwide, and appeared on the cover of more than a dozen magazines.[6] After his success with Cheryl Tiegs' house, Bullard began to build a celebrity clientele. His early clients included Rebecca Romijn and John Stamos, Christina Aguilera, William H. Macy and Felicity Huffman, Eva Mendes, Patti LaBelle, and Edward Norton.[2] Later, he decorated homes for Cher, Ellen Pompeo, Sharon and Ozzy Osbourne, Aaron Sorkin, Kid Rock, and Tommy Hilfiger, among others. While best known for high-end residential design, Bullard has additionally worked on commercial properties, including the Colony Palms Hotel[10] and the Jimmy Choo boutiques in London and Osaka, Japan.[11] Bullard is currently designing several luxury resorts and restaraurants, including the Château Gütsch Hotel in Lucerne, Switzerland, and Red O Restaurant in Newport Beach, California.[10][11] In 2010, Bullard won the "Oscar of the Interior Design World," the Andrew Martin International Designer of the Year Award.[12] In 2011, Rizzolli published Bullard's book, Live, Love & Decorate, which reached its third reprint in its first 16 weeks of release, and topped the best-seller list in the interior design genre.[13][14] The book featured 16 of Bullard's projects, including Cher's "fantasy villa," and Tamara Mellon's $30 million Manhattan penthouse.[15] The book also included Bullard's home in the Whitley Heights neighbourhood of Los Angeles, which was previously owned by Rudolph Valentino, Gloria Swanson, and William Faulkner.[16] HollywoodatHomebyMartynLawrenceBullard1.jpg Ellen Pompeo's home, from Martyn Lawrence Bullard's Live, Love & Decorate Photo by Tim Street-Porter Style[edit] Bullard's style has been described as "Hollywood glamour meets ethnic exotica,"[17] and "eclectic, luxurious, sophisticated, comfortable and fearless."[18] He has been noted for his "adventurous use of texture, colour and extreme attention to detail,"[19] and his "strong command of proportion and scale, a deft hand with color and pattern, and an exuberantly global sensibility.

By iSpy

In Famous Interior designers